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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Key Features
SSL X-Echo and Harrison MPC Spectral Compressor Bundle is a collection of two powerful and essential mixing plug-ins. The SSL X-Echo is an effects unit inspired by the early tape delay hardware of the 60s and 70s. The Harrison MPC Spectral Compressor is a highly versatile dynamics processor that has been specifically designed to meet the needs of the most discerning professionals in the film and post-production industries.
Bring the gloriously warm sound of vintage tape to your productions. X-Echo models soft compression, hiss, and tape degradation with meticulous attention to detail. Combined with SSl's renowned saturation and LF/HF EQ, as well as advanced waveform visualisation, built-in 'De-Esser' and delay 'Width' control, X-Echo features a brand-new SSL reverb design that is capable of achieving both subtle and massive spaces all via a single 'Diffusion' control.
Derived from Harrison's renowned MPC consoles, this powerful tool guarantees unparalleled accuracy when it comes to mastering your mix. Featuring 18 spectral bands of dynamic range control, the Spectral Compressor allows you to meticulously sculpt the sound of each band individually, or make global adjustments to the overall tone of your mix. Whether you're aiming to smooth out harsh frequencies, enhance the low end, or add brightness to the highs, this compressor can handle it all with ease.
Product Ref: 282121
At the heart of X-Echo's intuitive design is the visualiser. The visualiser captures up to four seconds of an input signal so that you can see how the waveforms overlap and interact. This is particularly useful when working with transient material like drums and seeing how the delayed signals interact with your original signal. To capture a signal in the visualiser, simply move your DAW playhead to any section of audio and press play.
Offering up to four tape heads that can be switched into the signal path, X-Echo offers plenty of versatility and a varied palette of delay tones. Just like the real thing, these tape heads are at intervals of the main tape head: 3/4, 1/2, and 1/4.
Take direct control over tone with a comprehensive range of parameters, such as 'Wow' and 'Flutter' pitch variation emulating the mechanical components of a tape machine. 'Freeze' the contents of the tape loop causing the signal to repeat and slowly degrade. 'Kill' the input to the tape machine and allow the tail to die off musically. Adjust the number of repeats emulated by the tape machine with 'Feedback'. Feedback greater than 100 causes self-oscillation for the creation of crazy sounds. 'Saturation' introduces analog saturation characteristics such as soft clipping. A single knob de-esser can soften the sibilant frequencies that tape machines commonly accentuate. Switch the tape delay into a true ping-pong mode for stereo space and width. As well as all this X-Echo offers a brand-new reverb design, that lets you blend through different room types and sizes with a 'Diffusion parameter.
There are plenty more tone development parameters to create unique and interesting delay sounds. For example, a simplified EQ and mid-side processor let you carve a space for the delay to sit precisely within your mix by boosting or cutting bass and treble frequencies in your signal. Furthermore, the mid-side processor goes from mono to stereo to super wide.
There are a few ways to control how your delay relates to the timing of your mix. The overall delay of the initial tape head can either be controlled within the visualiser or using the tape speed knob. Furthermore, 'Snap' mode allows you to quickly set the delay time to a time division such as crochet or dotted quaver. Finally, when sync is enabled the BPM of X-Echo follows your DAW.
Fine-tune your audio compression with the Harrison MPC Spectral Compressor's Threshold control. This slider, located next to the input meter, allows you to set the level at which the compression effect starts to take place. With a range of -60 to 0 dB, you have precise control over when the compression kicks in, ensuring your audio remains clean and balanced.
Tailor your compression to specific frequency bands with the Frequency Range section of the Harrison MPC Spectral Compressor. By selecting the desired range, such as Low, Mid, High, or even Full Range, you can focus the 18 compressor bands on a particular part of the audio spectrum. This level of control allows for more precise adjustments, ensuring your audio shines in the desired frequency range.
Customize the depth of your audio compression with the Harrison MPC Spectral Compressor's Depth controls. The Knee value determines the slope at which the compression is applied, allowing you to choose between a Hard Knee (abrupt activation) or a Soft Knee (gradual activation) compression style. Adjust the Knee value from 1 to 30 to achieve the desired compression effect.
Fine-tune your output level with the Output Trim feature of the Harrison MPC Spectral Compressor. With a range of -10 dB to +10 dB, you can easily increase or decrease the level of the compressed output signal to match your desired gain compensation. This versatility ensures that your final audio output is perfectly balanced and suits your specific requirements.
Visualize the impact of your compression with the Gain Reduction Graph of the Harrison MPC Spectral Compressor. This graph provides a clear representation of the gain reduction applied across the frequency spectrum. The Reduction curve, displayed in red, shows the amount of gain reduction applied at different frequencies. The Input curve, shown in orange-yellow, represents the level of the input signal. This visual feedback allows you to monitor and adjust your compression settings with precision, resulting in a professional and polished audio output.
